The Pastel Journal USA
The Pastel Society has two articles in the American magazine the Pastel Journal. The 2017 Annual Exhibition review in 'Art Matters' showing the Alfred Teddy Smith and Zsuzsi Roboz award winning image by Non Member Steven King entitled 'The Co-Pilot'. (Shown below) and an eight page article by Member Tony Allain.
The article by Tony Allain entitled 'Freedom of Interpretation' includes a demonstration piece and 'Thirteen Tips for Better Paintings'.
Tony writes as follows: 'Many painters aspire to a faster, looser style. I’ve discovered that an artist’s personal interpretation is the key to a more spontaneous approach.
Many painters aspire to a faster, looser style. I’ve discovered that an artist’s personal interpretation is the key to a more spontaneous approach'.
He continues 'EVERY ARTIST SHOULD BE ABLE TO SAY SOMETHING DIFFERENT and have their own way of saying it. Whenever I visit an exhibition or see a collection of paintings, I always seem to be attracted to the loose, impressionistic work. I appreciate how these qualities invite the viewer to respond emotionally to a time, place and mood. And I like the idea that the artist has given me the opportunity to be part of the painting by allowing me to mentally fi ll in the detail that may have been left out, so that I—as a viewer—become a part of the painting process. I can recall a very loose still life painting I exhibited some years ago. Th e piece portrayed a simple glass dish with some berries, so you can imagine my surprise when I was informed by one of the guests that it was quite a dramatic view of a stormy sea. Perhaps that painting was a little too loose. Still, I think most of us like a bit of mystery and intrigue, and I’ve found there are ways to approach a painting that encourage a looser, more ambiguous depiction'.
Artist Tony Allain (tonyallainﬁneart.com) has been painting for more than 40 years. The self-taught artist was born and raised in the Channel Islands of England. After living in New Zealand for many years, he recently returned to England, settling in the seaside town of Marazion in West Cornwall, where he takes pleasure in capturing the unique clarity of light. His work has been widely exhibited, including shows with the Pastel Society of America, in New York City; the Royal Society of Marine Artists and The Pastel Society UK, in London; and the Biennial International Pastel Art Exhibition, in Suzhou, China. A popular workshop instructor, Allain will be a demonstrating artist at the International Association of Pastel Societies’ convention in June.
To download the June 2017 copy of the Pastel Journal and read the complete version of both articles go to www.northlightshop.com