Zsuzsi Roboz 

Zsuzsi Roboz was elected to the Pastel Society in 1968.

Zsuzsi was Hungarian, born in Budapest into a family involved with art and the theatre. A comfortable life came to an abrupt end when the nazis invaded Hungary in WW2 and the family had to go into hiding. They struggled to survive. Sadly Zsuzsi’s father was discovered by the nazis and did not survive.

When war ended the Russians were in occupation, but Zsuzsi and her Mother managed to get false papers and escape to France.

In 1947, still in her teens, no money and on her own, Zsuzsi came to England to seek a job in shorthand and typing, not really what she wanted to do with her life. She approached Sir Alexander Korda, a close friend of her father who remembered the family and offered her a job. She gets to meet many stars of stage and screen and starts to make drawings, studying at Regents Street Poly in the evenings. Zsuzsi left her job with the Korda brothers when she was accepted as a student at the RA schools, the tuition was free in those days. About this time Zsuzsi met Annigoni at one of his London PV’s, and he accepted her as a drawing pupil in Florence, She learned much about technique from Annigoni, but as she said herself, her vision was her own.

On her return to London, Sir Alexander Korda commissioned Zsuzsi to make a series of portrait drawings of his many contract artists, Laurence Olivier, Ralph Richardson, Claire Bloom, Mary Ure, the list was endless and Zsuzsi never looked back. Commissions for society portraits poured in, and through her theatrical connections she was allowed to make drawings back stage at the Windmill Theatre. The resulting lithographs are in the collection of the Tate Gallery.

Zsuzsi’s first exhibition was at the Walker Gallery in London, from then on she exhibited worldwide, in particular Paris, Budapest and New York, and has work in the Pablo Casals Museum in Jamaica.

Married to Alfred (Teddy) Smith, Zsuzsi became involved with his fund raising for a new Festival Theatre in Chichester, later he became chairman of the Productions committee, and Laurence Olivier was the first director.
Zsuzsi meets Antoinette Sibley, prima ballerina of the Royal Ballet Company and their friendship leads to many years of drawing during rehearsals. Zsuzsi’s portrait of Ninette de Valois, founder of the Royal Ballet, is in the National Portrait Gallery.

Moira remembers the special time she spent at Zsuzsi's Studio. 'After I became President of the Pastel Society, I had the honour of going to her fabulous studio for portrait sittings, even the lunch was a joy, champagne and smoked salmon ! The resulting portrait was shown in the Pastel Society Exhibition in 2005'.

MOIRA HUNTLY Past President 

Moira by Zsuzsi Roboz
Portrait of Moira Huntly 
By Zsuzsi Roboz

The Alfred Teddy Smith and Zsuzsi Roboz Award

Zsuzsi, who passed away in July 2012 aged 82, generously bequeathed an Award of £5000. This will be the fourth year that this Award will be won. The Alfred Teddy Smith and Zsuzsi Roboz Award is designated in Trust to recognise Zsuzsi's enormous contribution to draughtsmanship.

The prize of £5000 will be awarded to a young artist, under the age of 35 years, for traditional skills, used in an original way. All subject matter wiil be considered. Pastels, oil pastels, charcoal, pencil, conté, sanguine or any dry media are all acceptable. All work must be submitted through open entry to the exhibition.

 

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Featured Artist

Jeannette Hayes
Hayes Jeannette Yesterday
' Yesterday '
by Jeannette Hayes

 

Jeannette Hayes PPS 

Biographical Details:

Born in Sweden 1962 Studied Foundation Studies at the Royal Berkshire College of Art B.A (Hons) Fine Art/ Painting at Kingston University
President and Publicity Secretary of THE PASTEL SOCIETY

Societies:

The Pastel Society

Artist's Statement:

Alive with a dynamic expressive energy the landscapes of Jeannette Hayes resonate with a liberated optimistic creativity.
In works that are constructed out of lines and blocks of evocative colour, abstract activity is finely balanced with landscape reference. A love of the exquisiteness and drama of the natural world conveys itself in the drawn marks, gestures and accents of colour. Colour plays a central role - titles often contain a colour: ‘Spring Green’, ‘Orange Mousa’, or ‘Blue Snowing’ - setting an ambient mood to the recording of her experience of a place. This gives the works a poetic quality that is in keeping with the way they were conceived.

Selected Exhibitions:

Dulwich Picture Gallery, Fruitmarket Gallery, Edinburgh The Discerning Eye, London Diorama Gallery Bartley Drey Gallery Chelsea Art Society The Society of Wildlife Artists Annual Exhibition Carlyle Gallery The Gallery, Mayfair Pond Galleries ART LONDON The Arts Club, Dover Street The Bedale Gallery Galerie Aaders, La Garde Freinet, France Manor House Gallery Hampshire Art Fair Mercer Art Gallery, Harrogate Beverley Knowles Fine Art, London The Salt House Gallery, St Ives St David’s Hall, Cardiff Piers Feetham Gallery Alresford Gallery Linda Blackstone Gallery Southampton City Art Gallery Frost and Reed, London Royal Academy of Arts (Summer Exhibition) Gallery LeFort, Bath Martin’s Gallery, Cheltenham Artwave West, Dorset Lion Street Gallery, Hay on Wye The Pastel Society Annual Exhibition, Mall Galleries, London

Selected Awards and Prizes:

Adam & Company/ Spectator Art Prize, Edinburgh 1992 Unison Pastel Materials Award, Pastel Society 2000, 2002 The Arts Club Award, Pastel Society Annual Exhibition 2004, 2010 The Debra Manifold Memorial Award, Pastel Society 2005, 2008 Ages Reeve Memorial – Chelsea Art Society 2005 The Henri Roche Pastel Award, Pastel Society 2012 The Derwent Award, Pastel society 2014

Website:

www.jeannettehayes.com 

Images Shown on Welcome Page (Detail  only):

'The Avenue'
'Orange Hill'
'Orange Walk'
'Red Sun'
'Spring Hedge'
'Blue Hills'

     


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