• 1. Home (Soft pastel - 35 x 33cm)
  • 2. Yesterday Morning (Soft pastel - 42 x 52cm)
  • 3. Farmyard Light (Pastel - 57 x 95cm)
  • 4. Marina Reflections (Pastel - 53 x 58cm)
  • 5. Meadow Farm (Pastel - 57 x 95cm)
  • 6. Pencil Skirt (Pastel - 52 x 57cm)
  • 7. Scillionian Sunset (Pastel - 53 x 60cm)
  • 8. Lucy (Pastel - 87 x 72cm)
  • 9. Mari (Pastel - 78 x 58cm)
  • 10. Natalie (Pastel - 72 x 54cm)
  • 11. Natasha (Pastel - 55 x 44cm)
  • 12. Sheep Street, Burford (Pastel - 72 x 97cm)
  • 13. Lotte with Pet Rab (Pastel & conté - 65 x 82cm)
  • 15. Star of Farnham (Pastel & conté - 110 x 84cm)
  • 16. The Girl from La Mancha (Pastel & conté - 65 x 82cm)
  • 14. Natalie with Leo (Pastel & conté - 103 x 63cm)
  • 17. Somewhere The Other Side of The Rialto (Pastel - 36.5 x 38cm)
  • 18. Alleyways with Cows in Rajasthan (Pastel - 55 x 43cm)
  • 19. Fish Market, Vientiane, Laos (Pastel - 49.5 x 50cm)
  • 20. Preparation (Pastel - 36 x 27cm)
  • 21. Snake Charmer in Kolkata (Pastel - 36 x 27.5cm)
  • 22. Village Street in Gujerat (Pastel - 69 x 48.5cm)
  • 23. Summer Garden (Pastel - 74 x 94cm)
  • 24. Tropical Garden (Pastel - 63.5 x 79cm)
  • 25. White Flowers 1 (Pastel - 74 x 94cm)
  • 26. White Flowers 2 (Pastel - 74 x 69cm)
  • 38. Backs to the Wind (Pastel - 80 x 80cm)
  • 39. Calm Above The Weir at Tuckenhay (Pastel - 80 x 80cm)
  • 40. Gorse at Start Point (Pastel - 60 x 60cm)
  • 41. Hum of Summer on The Dart (Pastel - 80 x 80cm)
  • 42. The Old Oak at West Dean (Pastel - 60 x 60cm)
  • 44. Blacksmith's Boots (Pastel & ink - 40 x 40cm)
  • 45. Red Crane at Night (Pastel & ink - 70 x 40cm)
  • 50. City at Dusk from Waterloo Bridge (Chalk pastel - 36 x 36cm)
  • 53. Thicket II (Pastel - 170 x 170cm)
  • 57. Cat Bells (Oil pastel - 25.5 x 37cm)
  • 61. A Stony Path across The Fells  (Pastel - 89 x 89cm)
  • 62. Beside the Lake (Pastel - 85 x 85cm)
  • 63. Deep Valley Pines (Pastel - 85 x 85cm)
  • 64. Distant Blue Hills (Pastel - 85 x 85cm)
  • 65. In the Deep Valley (Pastel - 47 x 47cm)
  • 67. Afternoon Sun, School House 2.00pm (Pastel - 66 x 66cm)
  • 69. Tea and Cakes (Pastel - 44 x 44cm)
  • 70. The Dining Room, Petworth House (Pastel - 66 x 66cm)
  • 71. The Friends Room, Royal Academy (Pastel - 44 x 44cm)
  • 68. Afternoon Sun, School House 4.30pm (Pastel - 66 x 66cm)
  • 74. A View from St Paul's 16.12.2014 (Pastel - 116 x 176.5cm)
  • 76. Evening Mist, Nocturnal Study of Tower Bridge (Pastel - 65 x 92cm)
  • 75. Evening Mist from The Monument (Pastel - 101 x 186.5cm)
  • 77. Mid Morning Sun (Pastel - 84 x 113cm)
  • 78. Moonlight Andalucia (Oil pastel - 120 x 94cm)
  • 82. St George's in the East (Pastel - 63 x 77cm)
  • 88. Fallen Aspens (Pastel - 50 x 50cm)
  • 89. Merced River (Pastel - 56 x 58cm)
  • 90. Red Rock Country (Pastel - 60 x 66cm)
  • 91. The Valley, Yosemite (Pastel - 73 x 85cm)
  • 92. Upper Falls (Pastel - 69 x 55cm)
  • 95. Composer (Sanguine - 50 x 70cm)
  • 96. Preparation (Pastel - 65 x 50cm)
  • 97. The Piano Tuner (Charcoal - 60 x 80cm)
  • 94. Ballet Dancer (Charcoal - 150 x 90cm)
  • 98. Across the Site (Silchester) (Pastel - 70 x 68cm)
  • 99. Elevenses (Silchester) (Pastel - 64 x 56cm)
  • 100. Excavation at Silchester (Pastel - 70 x 68cm)
  • 101. Red Scarf (Silchester) (Pastel - 64 x 56cm)
  • 102. Avenue (Pastel - 42 x 115cm)
  • 108. Still Life Arrangement with Venetian Marble on Damask (Pastel - 53 x 56cm)
  • 115. Making Mango Chutney (Pastel - 68 x 84cm)
  • 116. Sea Bass for Supper (Pastel - 45 x 49cm)
  • 117. Six Sardines for Supper (Pastel - 37 x 39cm)
  • 118. Stuffed Peppers (Pastel - 75 x 91cm)
  • 119. Tea and Cake (Pastel - 75 x 91cm)
  • 120. Autumn Landscape Gwent (Pastel - 41 x 41cm)
  • 121. Deep Blue Summer Sky (Pastel - 54 x 62cm)
  • 123. Hill Town Provence (Pastel - 72 x 59cm)
  • 124. Village, Catalonia (Pastel - 39 x 39cm)
  • 122. Gold Dome, Spain (Pastel - 45 x 45cm)
  • 130. Macro Hard (Pastel & mixed media - 53 x 53cm)
  • 132. Coastal Path, Evening (Pastel - 90 x 70cm)
  • 134. South Coastal Path (Pastel - 93 x 68cm)
  • 136. York Moors Late (Pastel - 42 x 65cm)
  • 143. Abstract with Red (Pastel & collage - 46 x 56cm)
  • 144. Morning Light (Pastel - 74 x 60cm)
  • 145. Over the Hills (Pastel - 74 x 60cm)
  • 146. Urban Mist (Pastel - 53 x 53cm)
  • 147. Urban Reflections (Pastel - 53 x 53cm)
  • 141. Syncopation (Pastel - 95 x 125cm)
  • Winter Greys (Pastel - 90 x 125cm)
  • 156. Springtime, La Palma (Pastel - 63 x 72cm)
  • 167. Autumn Sunset, Exmouth (Soft pastel - 77 x 97cm)
  • 168. Blustery Afternoon, Exe Estuary (Soft pastel - 77 x 97cm)
  • 169. Low Tide, Exe Estuary (Soft pastel - 46 x 62cm)
  • 171. Winter Sunshine, Beer Cliffs (Soft pastel - 74 x 94cm)
  • 170. The Sands of Scilly (Soft pastel - 50 x 50cm)
  • 174. The Game Keeper (Pastel - 110 x 95cm)
  • 175. The Widow (Pastel - 97 x 78cm)
  • 183. Temple Fence, Kyoto, Winter (Pastel collage - 69 x 69cm)
  • 181. Garden Fence, Kyoto, Autumn (Pastel collage - 69 x 69cm)
  • 185. Dungeness (Pastel - 37 x 41cm)
  • 186. Fishing Boat, Dungeness (Pastel - 53 x 61cm)
  • 187. Shacks and Lighthouse Beyond (Pastel - 53 x 61cm)
  • 190. Natasha - Brief Studies (Pastel & graphite - 53 x 46cm)
  • 192. Tessa - Prolonged Study (Pastel - 95 x 71cm)
  • 191. Sylvina - Two Venues with Displacements (Pastel - 70 x 90cm)
  • 189. Letitia - Multiple Studies (Pastel & graphite - 71 x 90cm)
  • 193. The Fearful Edge (Graphite, pastel & ink - 55 x 48cm)
  • 194. A Little Vivaldi at Café Florian (Pastel - 40 x 60cm)
  • 195. Coastal Path, Solent (Pastel - 28.5 x 38cm)
  • 202. Light Touch (Pastel - 69 x 84cm)
  • 203. Fellside Farm (Pastel - 50 x 50cm)
  • 205. Limestone Country (Pastel - 86 x 86cm)
  • 206. Over The Dales (Pastel - 70 x 70cm)
  • 207. Sheep in the Gorse (Pastel - 60 x 60cm)
  • 204. Hill Farms, Forest of Bowland (Pastel - 70 x 70cm)
  • 208. Figure in a Landscape (Pastel on a 3D construction - 63 x 36 x 32cm)
  • 219. Cottage Teesdale (Pastel - 38 x 46cm)
  • 220. First Snow, Langstrothdale (Pastel - 41 x 51cm)
  • 221. King Staith Lane, Lynn (Pastel - 51 x 41cm)
  • 222. Outside the Science Museum (Pastel - 59 x 62cm)
  • 223. The Slipway, Maldon (Pastel - 41 x 51cm)
  • 228. Head Defence (Pastel - 80 x 80cm)
  • 229. Perspective Point (Pastel - 80 x 80cm)
  • 227. Autumn Blaze (Pastel - 80 x 80cm)
  • 230. Waterfall (Pastel - 80 x 80cm)
  • 231. Stormlight 1 (Pastel - 55 x 62cm)
  • 232. Stormlight 2 (Pastel - 46 x 56cm)
  • 233. Stormlight 3 (Pastel - 42 x 57cm)
  • 234. Stormlight 4 (Pastel - 28 x 33cm)
  • 236. Dedham (Pastel - 63 x 78cm)
  • 239. Suffolk Landscape (Pastel - 38 x 46cm)
  • 237. Objects (Pastel - 80 x 56cm)
  • 238. Pans (Pastel - 59 x 74cm)
  • 240. Window (Pastel - 77 x 58cm)
  • 247. Flowers and Limes (Pastel - 75 x 74cm)
  • 244. Arrangement on a Patterned Cloth (Pastel - 71 x 67cm)
  • 245. Arrangement with Blue & White Pots (Pastel - 74 x 76cm)
  • 249. Study for Emma (Pencil - 78 x 57cm)
  • 252. Late Winter Sun (Conté - 50 x 44cm)
  • 253. Summer Oaks (Charcoal - 45 x 64cm)
  • 251. Autumn Leaves Have Come to Turning (Charcoal - 146 x 107cm)
  • 257. Poppy Field (Pastel - 61.5 x 78cm)

Featured Artist

Patricia Cain

Trish 1

 ' Yours and the light from it, un-buoyed '
by
Patricia Cain

Patricia Cain is a Dumfries and Galloway-based artist, author and researcher who completed her PhD through the practice of drawing at Glasgow School of Art.
Her practice (drawing, painting, sculpture and public art) is intimately connected to her interest in skill-lead art-making processes, the value of these as First Person research methodologies and the importance of teaching and encouraging skill in this era of concept-led Art Education.
Her book Drawing: The Enactive Evolution of the Practitioner explores the relationship between drawing and enactive thinking and examines how art-making can actualize and visually make evident the emergent aspects of its own activity, allowing artists to become self-aware of their own thinking and learning processes.
Trish exhibits nationally and internationally, winning both the Threadneedle and Aspect Prizes in 2010. Her recently acclaimed major exhibition at Kelvingrove, Drawing (on) Riverside, exposed the nature of practitioner knowledge to a wider lay audience through the observation and response to the construction of Glasgow’s new Riverside Museum which has subsequently been likened to Dewey’s study of the nature of method.

Curriculum Vitae

Education

2004/08 PhD, Glasgow School of Art
2000/04 BA (Hons) Fine Art – Cumbria College of the Arts
2002 UK Intra-transfer Test – Law Society of Scotland
1988/89 Law Society Finals – Northumbria University
1984/87 LLB (Hons) Law – Northumbria University
1982/83 1st Year BA (Hons) Illustration – Central St Martins
1982 Arts Foundation Course – Cumbria College of Art and Design

Selected Awards:

Royal Watercolour Society Award, RWS Contemporary Watercolour Competition 2014, Finalist, Arte Laguna Prize 2013 Venice, RSA Residency Award 2013 – Barns-Graham Trust, James B S Curr Memorial Award, Paisley Arts Institute 124th Annual Exhibition, Discerning Eye Scottish Regional Prize 2012, Winner Threadneedle Prize 2010, Winner Aspect Prize 2010, The Bet Low Trust Award, Daler Rowney Award The Pastel Society, Finalist International Drawing Annual (INDA) 2010, RSA Residency Award 2009, Arts Trust of Scotland Award, RSW Visual Arts Residency, Hospitalfield House, Arbroath, Glasgow Art Club Fellowship Prize, Royal Glasgow Institute, House for an Art Lover Prize, Royal Glasgow Institute Exhibition, Royal Scottish Academy John Kinross Scholarship 2007, Oppenheim – John Downes Memorial Trust Award, Colonel McClean Trust Scheme/Logan and Johnston School Scheme Award, Golden Jubilee Fellowship Fund Award, New Contemporaries Shortlist, Rootstein Hopkins Shortlist, Royal College of Physicians and Surgeons Prize, Royal Glasgow Institute, Horace W. Goldsmith Scholarship for Drawing, Glasgow School of Art

Selected Solo Exhibitions:

2012 Drawing (on) Riverside 11 Spitalfields Gallery
2011 The Riveted Eye House for an Art Lover
2011 Drawing (on) Riverside Kelvingrove Art Gallery and Museum
2010 Tri Juncta in Uno The Meffan Gallery
2009 Recent work from Florence and Glasgow, House for an Art Lover
2008 Drawing Construction, Lillie Gallery
2006 Clyde Redevelopment, Backdoor Gallery
New Work, Glasgow Royal Institute Kelly Gallery
2004 Surfaces Geologia, Glasgow School of Art
Surfaces Geologia, RIAS Gallery, Edinburgh
2001 Lake District Landscapes, Theatre-by-the-Lake Gallery, Keswick

To read more about the career of Artist Patricia Cain http://www.patriciacain.com 
Public Art:

2011 Architectural Installation in collaboration with architect Anne Nisbet Kelvingrove Art Gallery and Museum
Glass Installation in collaboration with Glass Artist Alec Galloway Kelvingrove Art Gallery and Museum
2010 Haggs Gate, Pollockshaws, Glasgow.

Collections:

Flemming-Wyfold Collection, Glasgow Museums, Royal Scottish Academy, Lillie Gallery, BBC Scotland, House for an Art Lover, Royal College of Physicians and Surgeons, North Glasgow Housing Association, Bam Construction

 

     


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